Sunday, 19 April 2026

Problems with Cline on The Trojan War. Ch. 4 ‘The Hittite texts’

Eric Cline’s book The Trojan War: a very short introduction (Oxford, 2013) argues that the classical Greek myth of the Trojan War is based on a historical conflict. Previously we looked at chapter 3, where Cline argues that the Homeric Iliad portrays Bronze Age events in a Bronze Age setting. As we saw, all the claims cited as evidence turned out to be unrepresentative, baseless, or simply untrue.

Chapter 4, ‘The Hittite texts: Assuwa, Ahhiyawa, and Alaksandu of Wilusa’, looks at Bronze Age evidence to argue that Mycenaean Greeks were involved in armed conflict in Anatolia in the 14th century BCE. Cline thinks this is the historical conflict that led to the Trojan War myth. This chapter is deeply flawed too, but in a less straightforward way. Cline doesn’t present outright falsehoods as fact here: but he takes a selective approach, keeping silent about some inconvenient points, and distorting others.

Wilusa (pp. 54–55), Ahhiyawa (pp. 56–57)

Cline gives an overview of Wilusa, on the edge of the Hittite empire, later called Ilios/Ilion in Greek; the name of one of its rulers, Alaksandu, which appears to be a hittitised form of a Greek name, Alexandros; and a state called Ahhiyawa somewhere in the west, which most scholars correctly identify as somewhere in the Greek-speaking world.

Cline’s account is mostly accurate. One part does ignore a key point. Cline wants to equate the 13th century BCE Alaksandu with the character Alexandros (also called Paris) in the Iliad, and — like many scholars — thinks the names are unlikely to be a coincidence. One minor point is that, contrary to what Cline says, Alexandros in the Iliad is not Troy’s king. (The Homeric Paris is certainly not in a position to be committing Troy to being the vassal of another Anatolian state, as the historical Alaksandu did.)

The more important omission is: why does a king of Hittite-era Wilusa have a Greek name? This is a difficult question. But there is actually a potential answer, as explained by Bachvarova (2016: 333–342), to do with a Wilusan-Ahhiyawan dynastic marriage (which Cline mentions on p. 61, in a different context). Perhaps Cline does not try to link this marriage to Alaksandu himself because it would raise more questions than it answers: the Trojan War myth, where Alexandros is a full-blooded Trojan, is too dissimilar what we know of this marriage to be convenient.

(Cline also never asks how it came about that Homer never mentions the historical Hittites, Mira, Seha, or Arzawa, and instead talks exclusively about 7th century BCE ethnic groups. But this objection is probably better aimed at chapter 3, on Homer.)

Madduwatta and Attarissiya (pp. 57–58)

Cline discusses a Hittite document known as the Indictment of Madduwatta (CTH 147; late 15th–early 14th century BCE). The Indictment discusses a warlord named Attarissiya, who becomes Cline’s archetype for a Greek leader attacking western Anatolia.

Cline claims:

  1. the Indictment describes Attarissiya as ‘“the ruler of Ahhiya” (Ahhiya being an early form of the word Ahhiyawa)’;
  2. Attarissiya ‘came to the western coast of Anatolia and fought against Hittite troops.’

Claim 1 is doubtful; claim 2 is half false.

On claim 1: the Indictment does refer to Attarissiya as ‘ruler of Ahhiya’, but Cline omits three important facts.

  1. Attarissiya is a ruler (LÚ), but other Hittite documents consistently refer to rulers of Ahhiyawa — the Greek-speaking state — as a ‘king’ (LUGAL). Attarissiya was no king.
  2. The name ‘Attarissiya’ is linguistically Anatolian, built out of elements seen in other names such as Attarimma (a town in Lukka) and Sarissiya (a mountain), elements with no analogues in Greek of any period.
  3. When Hittite texts refer to ‘Ahhiya’ they invariably use a city determinative, transcribed URU, classifying it as a city and not a country (twice in CTH 147, once in CTH 571.2).

Cline casts Attarissiya as a Greek king of Ahhiyawa the country, when the text really seems to point to a Lukkan ruler of Ahhiya the city. (In practice URU does sometimes get used for countries as well, but it would be tendentious to assume that has happened in both CTH 147 and 571.2, given that its identification is in doubt.)

On claim 2: the Indictment states that Maduwatta’s territory is the valley of the ‘Siyanta’ river, an unknown location but somewhere in southern Anatolia. Madduwatta had at one point been attacked by Kupanta-Kurunta of Arzawa (§§8–9), and later by Attarissiya (§12). We know Arzawa was in western Anatolia. But for Attarissiya the only geographical reference point is in §36, which shows that Maduwatta and Attarissiya had both attacked Cyprus (Alasiya) at the same time. Cyprus is about 100 km south of the Anatolian coast, 100 km west of Ugarit, but 700 km from the west coast of Anatolia by sea, and 900–1,000 km from Troy or mainland Greece. The text certainly does not have Attarissiya attacking ‘the western coast of Anatolia’.

If we were to interpret these points without assuming the identification Ahhiya = Ahhiyawa in advance, we would certainly conclude that Ahhiya was a Lukkan city, probably on the coast facing Cyprus. That would put it in or near what is now the Turkish province of Antalya (ca. 250 km from Cyprus). Interpreting Attarissiya as a Greek king attacking the west coast of Anatolia requires ignoring most of what the text actually says, and substituting an imaginary scenario in its place.

The Assuwa ‘rebellion’ and Tudhaliya’s sword (pp. 58–60)

In the late 1400s BCE, according to the Annals of the Hittite king Tudhaliya (CTH 142), Tudhaliya attacked western Anatolia. It was a fairly standard practice for powerful Bronze Age states to launch raids from the edge of their territories every now and then and head back home. It was a way of projecting power, to remind neighbours who not to attack. Following Tudhaliya’s war, many places in western Anatolia formed a defensive alliance to resist further Hittite aggression: the ‘Assuwa alliance’. Tudhaliya promptly came straight back and crushed the alliance.

Tudhaliya’s Annals name Wilusiya — Troy — as a member of the Assuwa alliance. But the alliance was probably centred on what would later become the heartland of Lydia, around the Küçük Menderes river: that is where later Greek sources put Asiē, a name derived from Assuwa. (So ‘Assuwa’ is also the origin of the modern continent name Asia.)

Cline relates these events very differently. He casts the conflict as a ‘rebellion’: Mycenaean agents provocateurs roused the peaceful Assuwans against their lawful Hittite government, and Tudhaliya was forced to respond by fighting the Mycenaeans. This, Cline thinks, is the context for Mycenaean armed conflict with the Hittites in western Anatolia.

That is not what Tudhaliya himself describes. The Assuwa alliance needed no external encouragement. It is perfectly clear that it was formed in response to Tudhaliya’s aggression. Saying the Assuwans ‘rebelled against Hittite overlordship’ is like describing NATO as rebelling against Soviet rule. This was a defensive agreement, not a rebellion.

Cline wedges Mycenaeans into the story by means of a piece of material evidence: a sword found at Hattusa in 1991, inscribed with a dedication commemorating Tudhaliya’s victory over Assuwa.

Pride of place in Cline’s argument: a sword with a dedicatory inscription purportedly demonstrating Mycenaean military action in northwest Anatolia in the 1400s BCE. (Source: Genz 2017)

In 1996 Cline cautiously suggested that this sword might possibly be a variant of an Aegean type.

... it may well be a variant of an Aegean Type B sword, but might reflect only Mycenaean influence rather than outright manufacture.

However, the identification of the Hattušas sword as Aegean Type B is not as cut-and-dried ... and strenuous objections to such an identification have already been raised.

... a connection with the legendary earlier Mycenaean raids in Anatolia may certainly lie within the realm of possibility. ... If such were the case ...

It is certainly plausible to suggest that the Mycenaeans and the Trojans were at one time allies, not foes ...

Cline 1996: 137, 138, 149, 150 (my emphasis)

So the sword might be Greek; lots of scholars think it isn’t, but if it is, then it’s possible it might suggest a Mycenaean presence in Assuwa; and if there were Mycenaeans there, then it’s possible they might have been there as allies.

Cline’s tone changed drastically in his books of the 2010s.

[T]his is not a typical sword for anyone to have been using in Anatolia at that time, for it appears to be a type of sword specifically made and used by the Mycenaeans of mainland Greece only during the late fifteenth century BCE.

Cline 2013: 59–60

[T]his is not a sword of local manufacture. The sword is of a type used primarily on mainland Greece during the fifteenth century BC.

Cline 2014: 36

The problem is that everyone except Cline is perfectly clear that the sword isn’t Mycenaean. It’s Anatolian.

Taracha (2003) tidily sums up the evidence for and against, a decade before Cline wrote the above statements.

  • The overall shape, tang, and riveting method have parallels in Aegean Type B swords.
  • However, the Aegean riveting method is in turn based on Syrian practice, with parallels in Cilicia (southeast Anatolia).
  • Tudhaliya’s sword has multiple ribs along the length of the blade, something not seen in Aegean swords. The closest parallel is actually found in Romania.
  • We have continuity of evidence for the development of early thrusting swords in Anatolia, but not in the Aegean; and that implies that, if anything, the influence was the other way round — the Aegean style was based on Anatolian techniques.

More recent commentators take it as read that the sword is Anatolian in origin (Bryce in Beckman et al. 2011: 138; Genz 2017: 87). Only Cline is keeping this myth alive.

Wilusa and Ahhiyawa in various Hittite texts (pp. 60–65)

In these sections Cline documents interaction between the Hittites, Wilusa, and Ahhiyawa continuing through the two centuries after Tudhaliya crushed the Assuwa alliance. In this section Cline mentions the Ahhiyawan marriage that Bachvarova draws on to explain the presence of a Greek name in the Wilusan royal family in the 1200s BCE (see above).

I have no real complaints here, except to note that it is not exactly surprising to find international interactions at the boundary of Hittite territory. The sheer quantity of Hittite references to Ahhiyawa that Cline presents is bound to impress general readers as if they are some kind of gotcha.

If any hittitologist were to name the main locus of Hittite-Ahhiyawan interaction in this period, they would never pick Troy. They would point at Miletos (Hittite Milawata), with secondary zones of interaction nearby at Iasos and Müskebi, and further afield at Ephesos (Hittite Apasa).

The reason we do have books on The Trojans and their neighbours, and we don’t have books about Bronze Age Miletos, isn’t because Troy was more important. It’s because there is no famous classical Greek epic about a war at Miletos.

‘Steep Wilusa’ (pp. 65–67)

In the 1980s Calvert Watkins pointed to the phrase alati ... Wilušati, ‘(from) high/steep Wilusa’, in a collection of first lines of Luvian cult songs at Istanuwa (CTH 772.1). Some formulas in Homer have a similar meaning: Ἴλιος αἰπεινή, Ἴλιον αἰπύ ‘high/steep Ilios’; Πριάμοιο πόλιν ... αἰπήν ‘Priam’s high/steep city’. Cline cites this to suggest continuity between Hittite sources and Homer.

On one level an overlap in poetic diction is unsurprising. Many formulas in Homer go back a very long way, some perhaps even to pre-Greek poetic traditions. That doesn’t suggest that a given story with these phrases is describing a historical event.

In this case, we would at best be talking about a calque, not an inherited formula. The phrases have similar meanings, but Greek αἰπύς is not linguistically related to Luvian ala-. Some Homer scholars have pointed out that the Homeric formulas are not used to indicate motion from a place, as in the Luvian poem, but are linked to the city’s mythical destruction. This link is sometimes in the context of another formula, αἰπὺς ὄλεθρος ‘sheer destruction’.

Note. Sale 1987: 35–36 n. 28; Létoublon (no date) n. 21. On αἰπὺς ὄλεθρος see Létoublon in the section ‘αἰπεινή “lofty”’.

For a robust and general treatment of the relationship between Hittite and Greek poetic devices, it isn’t enough to focus on a single phrase. The fullest treatment is by Mary Bachvarova (2016). She shows that the clearest continuity between Bronze Age Hittite texts and Homer is to be found in Near Eastern story patterns about the fall of a city, not in records of specific events — that is, in fiction tropes, not in history (2016: 354–356).

Conclusions

Cline imagines a 15th century conflict prompting a stream of stories about Mycenaean conflicts in Anatolia over 750 years, reframing and recontextualising the conflicts, but always set at Wilusa/Ilios. Proximate causes are always going to be a more robust explanation. The Greeks did imagine their story taking place in the spot where Hittite Wilusa had once stood. But as we saw in talking about Chapter 3, the Troy of the Iliad is the Greek colony of the 600s BCE. (Remember, Hittite Wilusa had no cult of Athena Ilias.)

I will not write a separate critique of Chapter 5, since it spends more time presenting material evidence than interpreting it. But I will observe that, like many scholars, Cline is overly prone to talking about Troy’s ‘destruction’.

Troy was never ‘destroyed’. We would never say San Francisco was ‘destroyed’ by the Oakland fires of 1991! In every alleged ‘destruction’ event, there was continuity of population and culture, and immediate rebuilding. Stephan Blum, a researcher on the Troia Projekt at Tübingen, recently wrote (2026):

[Architectural reorganisation at Troy] simply reflects the everyday reality of a settlement’s history: building, use, maintenance or levelling, rebuilding and repetition.

Instead, I argue that Troy’s archaeological record reveals centuries of architectural continuity, stable coastal occupation and trade networks stretching from Mesopotamia to the Aegean and the Balkans — a geography of connection rather than conflict.

It is perhaps worth mentioning in passing that the Greek myth never laid an emphasis on Troy consumed by flames — which is how it is usually depicted in modern retellings. That element of the story comes from Vergil’s Aeneid, not from any Greek source. And Vergil’s imagery was modelled on the Romans’ sack of Carthage in 146 BCE: it isn’t Greek imagery, and there’s no historical link to Bronze Age Wilusa.

The real Bronze Age Troy persisted through accidents and hiccups, as any city does. After the collapse of the 1100s BCE, some cities in the Aegean world prospered, including Miletos and Ephesos; others were abandoned; others were somewhere in between. Troy belongs to the ‘in between’ group. Its inhabitants lingered; new immigrants arrived; but the population peacefully drifted away by 950 BCE. 200 years after that, Greeks colonised the site. They created a just-so story about Troy: a story to explain why there had been an abandoned city there, and to rationalise their claim to the site, ahead of other competing ethnic groups in the area.

That story became famous. So did Troy. The city was at its height in the Hellenistic and early Roman periods: it was never powerful, but it was frequented by the powerful and the famous. It declined again after a devastating earthquake in about 500 CE. People carried on living there for a long time, but the site was again peacefully abandoned by the time the Ottomans arrived in the early 1300s. Since then there has been no urban settlement, though there has been an unbroken stream of tourists.

In the 1790s a story began to circulate that ‘Homer’s Troy’ had been in a different location. It was discredited, but it left a degree of confusion, with the result that Richard Jebb argued ferociously against Schliemann’s and Dörpfeld’s findings in the 1870s. As a result, many people today have come to think that Troy itself was once regarded as fictional, and that its discovery proved a myth true.

That has never been the case. Myths are regularly set in a real place, but they never have to be based on a real event. Not a single Greek myth is based on a historical event, so far as we know.

A myth also can’t be proven true by a book that relies on selective treatment of the facts, distortions, and false claims. It surprises me that Oxford University Press allowed such a book to go to print. It is regrettable if anyone relies on it.

References

  • Bachvarova, M. 2016. From Hittite to Homer. The Anatolian background of ancient Greek epic. Cambridge.
  • Beckman, G.; Bryce, T. R.; Cline, E. H. 2011. The Ahhiyawa texts. SBL ‘Writings from the Ancient World’ 28. Atlanta. [SBL]
  • Blum, S. 2026. ‘Rethinking Troy: how years of careful peace, not epic war, shaped this Bronze Age city.’ The Conversation 29 Jan 2026. [Internet Archive]
  • Cline, E. H. 1996. ‘Aššuwa and the Achaeans: the “Mycenaean” dword at Hattušas and its possible implications.’ Annual of the British School at Athens 91: 137–151. [JSTOR]
  • —— 2013. The Trojan War. A very short introduction. Oxford.
  • —— 2014. 1177 B.C. The year civilization collapsed. Princeton.
  • Genz, H. 2017. ‘Regional or international? The origin and development of Hittite weapons and military technologies.’ In: Schachner, A. (ed) Innovation versus Beharrung. Was macht den Unterschied des hethitischen Reichs im Anatolien des 2. Jahrtausends v. Chr. Istanbul. 84–103.
  • Létoublon, F. (no date). ‘The Trojan formulaic theater.’ Classics@ Journal 14. [Harvard University]
  • Sale, W. M. 1987. ‘The formularity of the place phrases of the Iliad.’ Transactions of the American Philological Association 117: 21–50. [DOI | JSTOR]
  • Taracha, P. 2003. ‘Is Tutḫaliya’s sword really Aegean?’ In: Beckman, G.; Beal, R.; McMahon, G. (eds.) Hittite studies in honor of Harry A. Hoffner Jr. on the occasion of his 65th birthday. Winona Lake (IN). 367–376.

Saturday, 11 April 2026

Problems with Cline on The Trojan War. Ch. 3 ‘Homeric questions’

Eric Cline’s The Trojan War: a very short introduction (Oxford, 2013) is an appealing book, charmingly written, but inaccurate and misleading in many essential respects. It is designed to be influential, part of a well promoted series. But because it is a short popular book, it was not reviewed in academic journals. Its influence warrants much greater scrutiny than its format suggests.

Contrary to the title, it is no neutral introduction. It is a partisan argument in favour of a historical Trojan War. Cline is one of two scholars to argue this since 2000 (the other is Latacz in Troy and Homer, 2004 [2001]). There is no consensus in favour of this position.

So Cline’s argument is not representative. With its many inaccuracies, it is also insupportable. But people’s perception of a complex topic is easily swayed by a single voice if that voice talks loud enough. And scholars don’t write books arguing that a thing didn’t happen: if you go looking for an introduction to the myth of the Trojan War, Cline’s book is what you will find.

Examples. National Geographic and a popular history YouTuber cite Cline, and only Cline, for scholarly opinion on whether the Trojan War was a historical event.

The following is not a review, but an adversarial fact-check. I add some thoughts of my own in the conclusion. Cline’s book needs no advertising: it does need a checklist, so that the general reader can tell which of its many claims are unrepresentative or just false. I shall skip over points that are uncontroversial or tangential, and focus on inaccuracies.

Cline argues in favour of a historical war in Chapters 3 and 4. Chapter 3, ‘Homeric questions: Did Homer exist and is the Iliad accurate?’, claims that the Iliad contains many Mycenaean features and can therefore be taken as a portrayal of the Bronze Age to some degree of accuracy.

Composition and date of the Iliad (p. 42)

Cline presents two theories as equal competitors: (1) Powell’s idea that the Greek alphabet was invented specifically to transcribe Homer around 800 BCE, and (2) that other scholars ‘have suggested’ the epics were part of an ongoing oral tradition.

Powell’s idea is a fringe theory, not shared or taken seriously by Homer scholars. Aside from its absurd grandiosity, it requires that the Iliad cannot be any later than 800 BCE. Most current research puts the Iliad in the 600s (see below).

The second position Cline mentions, the ‘oral tradition’ view, is the standard one in the anglophone world. I do not subscribe to it completely, but it is the overwhelmingly dominant theory. So Cline’s statement is a bit like saying ‘one scholar says the world is a cube, but others have suggested that it is round’, and taking both positions seriously.

Cline goes on to claim a ‘consensus’ date for the Iliad of 750 BCE. In reality, nearly all investigative work within the last half century puts the Iliad after 700 BCE, usually in the second quarter of the 600s. ‘Consensus’ dates earlier than 700 are often quoted, but the ‘consensus’ is based only on agreement and not on evidence. Cline’s claim is of this kind. Only one investigative argument in the last fifty years argues for a date earlier than 700 (and that argument has been heavily criticised).

Note. Investigative research arguing for a 8th century date: Janko 1982: 228–231 (composition). 7th century: Burkert 1976 (composition); Van Wees 1994 (composition); West 1995 (composition and transcription); Nagy 1996: 41–42 (transcription); Burgess 2001: 49–53 (composition). 6th century: Jensen 1999 (transcription).

Cline is unaware of this investigative research — something all too common with this kind of ‘consensus’ claim — and is citing a date that is commonly repeated, not one that is commonly demonstrated. His dating is entirely disconnected from current research. Cline’s own bibliography for this chapter cites two items that argue for a later date.

The Catalogue of Ships (p. 44)

Cline claims ‘many’ scholars consider the Catalogue to be at heart a Bronze Age composition. When he says ‘many’, that actually means ‘two’ (within the last fifty years): Latacz, and a private publication by Hope Simpson.

Note. Latacz 2004: 219–228; Hope Simpson 2018: 519–524. (Visser 1997 thinks only that there are a few Mycenaean elements within the Catalogue, not that the Catalogue as a whole is Mycenaean.)

Cline goes on:

Archaeological investigations have shown that many of the cities and towns listed in the catalogue as having sent men and ships were inhabited only in the Bronze Age and had long been abandoned by the time of Homer.

This time ‘many’ means ‘one’. The only town fitting this description is Eutresis, in the Boiotian contingent (Il. 2.502): the historical town was abandoned ca. 1200 BCE. Some other towns were abandoned by the time of Homer, but all after the end of the Bronze Age.

Even if there were more towns or this kind, this is not much of an argument. First: the language of the Catalogue is very obviously late. Its metre depends heavily on post-Mycenaean linguistic features, such as the word καί ‘and’, and a late Ionic form for ‘ships’, νέες. If we excluded lines with just these two features as post-Mycenaean, the Boiotian contingent would shrink from 17 lines to 9 lines, and most contingents would be lacking a count of ships.

Second: it is perfectly normal that place names linger for a long time after towns are abandoned. Eutresis itself was resettled in the 500s, still with the same name. That is, we know independently that its name continued to be attached to the location in the intervening six centuries.

Note. For a similar view (in more detail) see Kullmann 2001: 661.

For reference, the same goes for Troy. The pre-Greek city, called Wilusa in 13th century Hittite, was abandoned in the 900s; but when Greeks resettled it in the 700s it preserved a hellenised form of the older name, Ilios (< *wilio-). It is totally normal for place names to remain in use after a site is abandoned.

The Catalogue of Ships and its proper historical context is a knotty problem, so in a survey-level discussion like this it would be wrong to leap to the opposite of Cline’s position — that it is exclusively a 7th century composition. For now, the key point is that it is unjustifiable to treat the Catalogue as a Bronze Age artefact in any sense.

The boar’s tusk helmet (p. 45)

Boar’s tusk helmets are mainly associated with LHI–LHII Mycenaean culture (1500s–1400s BCE), though some were still being made as late as the 9th century. Cline claims that boar’s tusk helmets in Homer reflect a Mycenaean setting for the Iliad.

This is untrue on two counts. First, Cline claims there are boar’s tusk helmets, plural. There is one. It is described in Iliad 10.261–265.

Second, Cline doesn’t mention that book 10 is a late insertion into the Iliad, probably dating to around 600 BCE (e.g. West 2011: 233–235). Wherever the description of the boar’s tusk helmet came from — whether it was transmitted orally (presumably not in verse), or whether it is a 600 BCE description of an old heirloom — we can be very certain that it was not transmitted as part of an Iliad. The helmet, and book 10, have no bearing on the setting of Iliad 1–9 and 11–24.

‘Tower’ shields (pp. 45–46)

Cline claims that the shields used by Aias and Hector in the Iliad are Mycenaean ‘tower shields’.

There are no tower shields in Homer. Aias’ and Hector’s shields are a late type, dating to the 7th century.

‘Tower shield’ is one of a few modern terms for a particular type of Mycenaean shield: other terms are ‘body shield’ and ‘figure-of-eight shield’. There is no record of an ancient Greek term for this shield type. Yet the main reason for thinking Aias has a tower shield is that Homer says (Il. 7.219),

Aias came near carrying his shield like a πύργος (‘fortress, tower’)

Translating πύργος as ‘tower’ here misleads people into thinking Homer is using the modern term. Cline doesn’t make that mistake, to his credit. Yet without the misleading translation, there is no reason to link Aias’ shield to the Mycenaean type at all.

In Hector’s case, the idea that he has a tower shield comes from the fact that it reaches both his neck and his feet (Il. 6.117–118; similarly Periphetes’ shield, 15.645–646). Cline is not alone in this mistake, but this is not a tower shield either. For one thing, elsewhere Hector’s shield is circular and has a metal facing (Il. 13.803–804):

... in front he held his shield, circular all round,
thick with leathers, and it had a lot of bronze layered on it.

A bronze-faced circular shield reaching from the neck to the feet would be too heavy to wield in real life. Van Wees points out that the description in book 6 is a common Homeric trope: heroes have superhuman strength, and they wield oversized weapons and armour that normal people cannot pick up.

All shields in Homer are circular so far as we know, without exception. Homeric shields come in at least two types: an older type with a leather body and metal boss; and a newer type, with bronze facing, which starts to appear in the material record after 700 BCE. (Shields with shoulder straps may represent a third type, or a sub-type.)

Note. Van Wees 1994: 132–133, 2011.

Aias and Hector both have shields with metal facing: that is, the newer post-700 type.

Bronze weapons and armour (pp. 47–48)

The argument here is: Homeric weapons are made of bronze; real 8th–7th century weapons are iron; therefore Homer depicts a Bronze Age setting. My rebuttal below is perhaps disputable, but it should at least show that there is nothing straightforward about the inference ‘bronze weapons, therefore Bronze Age’.

In Homer, the default material for metal objects is ironexcept in the case of arms. Everyday metal tools are iron; it is prestige items that are bronze, tin, silver, or gold.

That is, bronze isn’t there because the Iliad is a faithful record of the Bronze Age. It’s to make aristocratic objects sound fancier. As Van Wees puts it (1994: 134),

while iron weapons are deadlier, bronze weapons are more glamorous.

It’s perfectly clear that iron is the default metal, because Homer talks about iron a lot. Iron is used for weapons; arrowheads; the shoeing for a club and a spear; protection against weapons; axes; a sacrifical blade; a chariot axle; ploughs; shepherds’ tools; a throwing weight; a trade good used for storing value (similar to the obeloi used for payment at early classical communal sacrifices); and poetic imagery, where iron regularly symbolises inflexibility and harshness. One passage shows an awareness of some aspects of iron production.

Note. Iron weapons: Il. 18.34; Od. 16.294, 19.13. Arrowheads: Il. 4.123. Shoeing for club/spear: Il. 7.141–143, 16.802. Protection: Il. 4.510. Axes: Il. 4.485, 23.850-851; Od. 19.586, 21.3, 21.97, 21.114, 21.127, 21.328, 24.168, 24.177. Sacrificial blade: Il. 23.31. Chariot axle: Il. 5.723. Ploughs and shepherds’ tools: Il. 23.834–835. Throwing weight: Il. 23.31. Trade/storing value: Il. 6.48, 7.473, 9.366, 10.379, 11.133, 23.261; Od. 1.184, 14.324, 21.10, 21.62. Poetic imagery: Il. 17.424, 20.372, 22.357, 23.177, 24.205, 24.521; Od. 1.204, 4.293, 5.191, 12.279–280, 15.329–330, (17.565), 19.211, 19.494, 23.172. Iron production: Od. 9.393.

This exactly mirrors the choice of prestige materials in real-life grave goods in the material record. Studies by Anthony Snodgrass and Ian Morris (2000: 208–211) have shown that there was a time when iron was a prestige material, from around 1025 to 900 BCE; but after that point, iron lost its place as a prestige material.

So the epic tradition could only depict prestige objects as made of bronze but not iron after 900 BCE. That is: bronze prestige items, in the absence of iron prestige items, indicate a relatively recent context.

  Metal objects in grave goods (%):
Period Iron Bronze Gold Silver
Submycenaean (1075–1025 BCE) 6 89 4 1
Protogeometric (1025–900) 41 48 11
Early-Middle Geometric (900–760) 27 45 27 1
Note. Table based on Morris 2000: 211, Table 6.2.

Other myths about Troy (pp. 50–51)

Cline refers to the existence of multiple myths about Troy — as represented in the post-Homeric Epic Cycle — and infers that they indicate a long-standing tradition of stories about Trojan wars.

He claims this conclusion was reached by neoanalytic scholars. As far as I am aware, this is untrue. In Homeric scholarship, neoanalysis is about detecting places where Homeric narrative has adapted material from prehistoric oral forms of the Cyclic epics. But Cline’s claim isn’t in the usual treatments of neoanalysis (e.g. Kullmann) or in the treatments that Cline‘s bibliography cites (Davies, Willcock). I won’t say that he has made it up out of thin air, but it is not mainstream.

Aside from the neoanalysis matter, Cline’s argument doesn’t hold water. If many myths focus on a given city, there’s no reason to think that implies those myths are old. On the contrary: the myths point to a deep contemporary interest in the city and its past.

Conclusions

I’ll close by developing on the last point, above, with my own thoughts on the matter. Many myths do not imply great age. The real implication is that they originated in a time when those myths were topical.

And it is not hard to tell when that was. Greek stories about Troy were most topical at the time that Greeks colonised Troy, in the 700s BCE. That is the most obvious period when we should imagine the myth starting to come into existence. Some decades later, the Iliad pops up — composed within a long-standing tradition of epic formulae, but not itself a long-standing story.

Aspects of Troy as depicted in the Iliad corroborate that line of thought. Troy’s main civic cult is the Greek cult of Ilian Athena, first introduced at the time of Greek colonisation (Il. 6.87–96, 269–279, 297–311). Nearly all Trojans in the Iliad have Greek names (exceptions: Priam, Paris, Assarakos, and names derived from the city’s names Troiē and Ilios). Troy is surrounded by a melting pot of ethnic groups — Mysians, Lelegians, Carians — all of whom pin the story to the Archaic period.

Why might Greeks have developed the Trojan War myth at that time? Myths never need to have a reason, but it is trivially easy to find motivations. The story is about the site being sacked in the distant past, destroyed, and overcome by Greek forces. The myth tidily explains why there was an abandoned city there, and it rationalises contemporary Greek claims to the site.

As Van Wees and others have shown, many aspects of the Iliad point specifically to a post-700 BCE context. The bronze-faced shields (Il. 7.219–223, 7.244–248, 11.295, 12.294–297, 13.405–407, 13.803, 16.636, 17.492–493, 20.274–281); Geometric art such as the Gorgoneion shield device and the ekphrasis of Achilles’ shield (Il. 5.741–742, 11.36–37, 18.478–607); the wealth stored at Egyptian Thebes (post-663 BCE: Il. 9.381–384) and Pytho (post-700: 9.404–405); shields leaned with a double grip (post-690: 11.593, 13.488, 22.4). For further points see the bibliography cited under ‘Composition and date of the Iliad’, above.

In part 2 we shall turn to Chapter 4 of Cline’s book, where he draws on Bronze Age documentary and material evidence to argue that Greeks were involved in conflict in Anatolia (though not against Troy) in the 15th century BCE, and that the Trojan War myth, attested around 750 years later, was derived from this conflict. Cline’s claims in Chapter 4 are not so straightforwardly false as those in the Homer chapter, but they are still tendentious, selective, and have a number of logical holes.

References

  • Burgess, J. 2001. The tradition of the Trojan War in Homer and the Epic Cycle. Baltimore.
  • Burkert, W. 1976. ‘Das hunderttorige Theben und die Datierung der Ilias.’ Wiener Studien 89: 5–21.
  • Hope Simpson, R. 2018. Mycenaean Greece and Homeric tradition. Private publication.
  • Janko, R. 1982. Homer, Hesiod and the Hymns. Diachronic development in epic diction. Cambridge.
  • Jensen, M. S. 1999. ‘Dividing Homer: when and how were the Iliad and the Odyssey divided into songs?’ Symbolae Osloenses 74: 5–91.
  • Kullmann, W. 2001. Review of Latacz 2004 [2001] (German version). Gnomon 73.8: 648–663.
  • Latacz, J. 2004 [2001]. Troy and Homer. Towards a solution of an old mystery. Tr. K. Windle and R. Ireland. Oxford. Orig.: Troia und Homer. Der Weg zur Lösung eines alten Rätsels (Munich/Berlin, 2001).
  • Morris, I. 2000. Archaeology as cultural history. Words and things in Iron Age Greece. Oxford.
  • Nagy, G. 1996. Homeric questions. Austin (TX).
  • Visser, E. 1997. Homers Katalog der Schiffe. Stuttgart/Leipzig.
  • van Wees, H. 1994. ‘The Homeric way of war.’ Greece & Rome 41: 1–18 and 131–155.
  • —— 2011. ‘Shields.’ In: M. Finkelberg (ed.) The Homer encyclopedia. Oxford. 792–793.
  • West, M. L. 1995. ‘The date of the Iliad.’ Museum Helveticum 52: 203–219.
  • —— 2011. The making of the Iliad. Oxford.